In watercolor, the act of observation continues throughout the painting process, from the initial planning stages through the observation of spreading washes, flowing water, and the mingling of wet pigments on wet paper. It is the act of observation that separates the deliberate act of painting from the habitual act of painting. Developing the ability to observe is what changes the painting process in watercolor from a mechanical exercise into a creative one.
In the beginning stages of developing observation skills, the tendency is to observe the external visual world: light and shadow, form and structure, color relationships, etc. This is important, but only part of the picture. As the practice matures, so does the focus of observation, turning its attention to the self. Tendencies to rush or force certain areas of a painting or to avoid others altogether become apparent. It takes time and honesty to develop this kind of awareness, and the transparent and fluid nature of watercolors helps to facilitate it.
Observation also plays a key role in the timing of watercolor painting. Knowing when to act and when to wait is perhaps the most challenging aspect of the medium, and one that cannot be reduced to a simple set of rules. It requires observation of the movement of water on the paper, the softening of edges, and the dispersal of pigment. The difference of acting a moment too soon or a moment too late can drastically effect the outcome of an entire painting. With enough observation, it becomes possible to sense these moments without needing to consciously think about them.
Finally, observation even comes into play when a piece does not go as planned. Rather than immediately discarding a failed piece, observation of what went wrong and where the loss of control or intent occurred is incredibly valuable. This is one of the most valuable ways to learn, more so than the simple repetition of what has proven successful in the past. Every attempt becomes a teaching opportunity through the practice of observation.
Ultimately, the practice of observation cultivates a sense of calm. Rather than being reactive, it becomes easier to remain present and alert to the subtle nuances of the process. This attitude facilitates not only better decision-making in the painting process, but also in all other creative endeavors. Watercolor rewards those who observe as much as they do. By cultivating the practice of sustained observation, the process of painting in watercolor shifts from merely coping with and managing the unknown, to embracing and engaging with it. In doing so, depth and sensitivity become a natural part of the process.